Their first album was a hard rock masterpiece, but after that, it seemed like their albums began to incorporate a little more pop and a little less hard rock. I’ve been frustrated over the years when some promising bands appeared to be selling out rather than sticking true to their sound. But in the case of Shinedown, I am always excited for a new release – not because I’m hoping that they go back to a more hard rock style, but because I’m genuinely excited to see where they go next.
And in the case of Threat To Survival, it’s a modern-day hard rock master class.
I came to an abrupt stop after walking for what seemed like miles. I’d managed to make my way through an endless combination of marshland, prairie fields, and forests. I fought my way through bandits, drowners, and big, nasty, flying things. But now, after nearly 100 hours of in-game time spent exploring the Northern Kingdoms (and only scratching the surface) I stood looking out over an embankment that led down to a sandy beach. Beyond the beach was what looked like miles and miles of ocean. The edge of the map, probably. But I knew better. Beyond the horizon lay a beautiful array of islands known as Skellige, and another 100 hours of exploration awaited me.
343 recently stated why there’s not splitscreen in Halo 5, a long standing staple to the Halo franchise. Indeed, it’s arguably the feature which got me interested in the series in the first place. Playing Halo co-op on Legendary difficulty with my friend as we battled Flood in The Library is forever burned into my memory.
Even more recently, I played splitscreen multiplayer with two of my friends in the Master Chief Collection. And I loved doing that.
So you’d think that for 343 to cut this long standing staple feature out of Halo 5 would upset me. In truth, yes, I am rather annoyed.
But that’s not the thing that angers me most. It’s the paltry justification, and more specifically, the carefully constructed naivety and falsely apologetic manner with which the justification is given.
This mannerism isn’t new to the AAA industry. Indeed, it’s used time and time again. It’s an attempt to pull the shade over our eyes to blind us from the truth.
Yet I’d like to think that today’s consumer is more resistant to this sleight of hand. And that AAA developers and publishers continue to think that their bullshit will be bought is genuinely insulting.
“The decision to remove split-screen support from Halo 5: Guardians was one of the most difficult ones we’ve ever had to make as a studio.”
“To move Halo’s gameplay forward and deliver a true next-gen experience, tough choices had to be made. Our decision was driven by a desire for scale, fidelity and focus to ensure that we would deliver the best quality experience possible. With Halo 5 we are delivering massive scale environments, improved AI behavior, increased visual and gameplay fidelity… something that truly takes advantage of a new platform.”
Still following? Good. Now pay attention to this bit,
“Many of our ambitious goals for Halo 5 would be compromised in a split-screen setting and the time spent optimizing and addressing split-screen-specific issues would take focus from building other parts of the game. Game development is a balancing act of resources, time and technology, and in this case we made the tough decision to sacrifice something that’s been near and dear to us all.”
Reading between the lines, this translates to, “The Xbox One doesn’t have enough power. That’s why we cut splitscreen. If we made Halo 5 for PC this is a non-issue”
And, as you’d assume, this would make me very angry. However, as angry and annoyed I am with this sentiment, I believe this doesn’t get to the core issue in big “AAA” messaging.
No. The real issue, the one throws me into a rage every single time I see it used, is this.
These AAA developers and publishers know that we know the real reason why they cut back on features, yet they continue to hold up this farce.
And that’s what I find to be the core issue. There is nothing more insulting and downright subversively patronizing to continue to assume that your consumer, the ones with spending power, can’t see through your bullshit.
Yet, they continue to uphold this farce. Even though they know, they absolutely know, that consumers understand the true reasons why features are cut, these so-called “AAA” developers and publishers simply ignore it.
343 is attempting to ignore the fact that us consumers know the real reason why splitscreen was cut. The real reason splitscreen doesn’t exist in Halo 5 is because of the Xbox One’s pathetic hardware.
Yet how does 343 frame this? They retreat to an apologetic, almost naive tone in their messaging.
Examples of this practiced empathy? They use phrases like, “difficult decision” (it probably wasn’t), “tough choices” (again, it probably wasn’t), and “sacrifice something that’s been near and dear to us all” (it’s not a sacrifice because you never had the ability to include it in the first place).
And to add more insult to injury, just look how 343 patronizes the consumer by trying to explain the difficulty of game development, as if we didn’t already know this (and as if this is any more legitimate an excuse to justify the exclusion of feature).
They say things like, “To move Halo’s gameplay forward and deliver a true next-gen experience”. (First, it’s not a next gen experience, as Digital Foundry has analyzed the E3 2015 build of the game and found that it fails to live up to ancient industry standards by not even outputting 1080p nor 60fps.)
Perhaps most insulting is this: “Game development is a balancing act of resources, time and technology.”
It’s as if we consumer can’t possibly comprehend how arduous developing a AAA game in 2015 should be, and that by explaining this to us, 343 are displaying some great act of benevolence.
This is the practiced sleight of hand the so-called “AAA” developers and publishers use to pretend that you, the consumer, don’t understand the real reason behind features like this are cut. And what’s worse, they know that you know the real reason. Yet they continue to pretend like you don’t. It’s just damn insulting.
And I’ll tell you right now, this behavior is not anything new.
Perhaps the poster child for this insulting and abhorrent behavior in recent years is Watch Dogs. After having been found out for their outright obvious downgrade, Ubisoft released the following statement:
“We test and optimize our games for each platform on which they’re released, striving for the best possible quality. The PC version does indeed contain some old, unused render settings that were deactivated for a variety of reasons, including possible impacts on visual fidelity, stability, performance and overall gameplay quality.”
Reading this, one cannot help but feel insulted. Why? It’s blatantly obvious that Ubisoft knows that we know why the downgrade occurred. Yet, they ignored the real reason and continued to uphold this farce with this practiced empathy and, in this case, manufactured pride with the statement, “We test and optimize our games for each platform on which they’re released…”
The “AAA” industry continues to insult its consumers. By patronizing and downright ignoring our intelligence, the “AAA” industry continues to show their arrogance.
We consumers are smarter than you think, 343. We understand the real reasons why you cut features. We aren’t beholden to your bullshit anymore. With tools like Steam refunds allowing us to employ our consumer right, you cannot peddle your hype-fueled products on us and expect to get away with it.
You want to pretend like we don’t know? Well, I have news for you. We do know. Your farce just won’t fly anymore.
It’s time you face reality. Just imagine if you were honest. What a concept to think that honesty breeds loyalty. But your pride, your downright arrogance keeps you prisoner, trapping you in the very farce you created.
I will offer a solution during this Rant. And obviously, solutions require a problem. So before I discuss the solution, let’s discuss the problem.
We’re in a worse state today than we were in 2012 – the twilight of last gen consoles.
Back then, the consoles were ancient tech and devs were struggling to get ambitious experiences running acceptably due to very real limitations. Obviously, some developers were better at this than others (see The Last Of Us and GTA V), but the point stands. Meanwhile, PCs were many, many times more powerful than consoles but no real cross platform experiences could be pushed to the limits because developers needed to cater towards the lowest common denominators – the consoles.
This had a very real negative affect on our industry. PC gamers suffered because the hardware they spent their hard earned money on was not being taken advantage of, which, as a PC gamer, I find genuinely insulting. This objectively superior PC hardware was sitting there unused because developers (a) had to cater to the consoles’ lack of power, and (b) the developers simply didn’t care about PC and insisted on treating PC gamers like second class citizens.
This situation has not changed today, and in fact, I would argue is even worse than it was 3 years ago. We currently have underpowered consoles that simply cannot meet the standards of today and developers are having to compromise simply to get their games and engines running on these weak plastic boxes. These consoles simply cannot consistently hit 1080p resolution (an ancient standard) in many cross platform “AAA” titles. That’s pathetic.
Additionally, PC gamers, once again, are paying the price due to graphical downgrades that were implemented simply to appease consoles and console gamers. Watch Dogs’ 2012 E3 outing was running on PC and could have looked that pretty (or even better) on the PC release in 2014. But because Ubisoft is Ubisoft, they deliberately sabotaged the PC version simply because console hardware cannot keep up.
These “AAA” publishers don’t want to hurt the feelings of console fanboys and instead, pretend that these consoles are more powerful than they really are. This spins a dangerous narrative which, while factually incorrect, will be perceived as truth by the masses. After all, if a thing is repeated enough times, people will see it as truth.
Of course, the argument can be made that developers don’t have to cut out high end graphics features. At the end of the day, they aren’t being forced to cut these features out. They can simply disable them for the console release and then enable them for the PC version. But again, I see this argument missing the core issue.
The core issue is that these developers shouldn’t have even been put in this situation in the first place. And just what is this situation? These consoles are highly underpowered pieces of plastic that are stagnating the industry even worse than their predecessors. What’s even more incredible is that the gap between consoles and PCs today is absolutely enormous, further exacerbating the problem. Once again, PC gamers are being neglected by the “AAA” industry.
If I were a developer, all the horsepower on the PC would be a dream for me. I would feel frustrated as hell that I can’t push the limits of tech to their limits simply because Microsoft and Sony made low end underpowered laptops.
What I am saying is that consoles are ruining the industry. However, as I mentioned at the top of this piece, today’s Rant is more than simply justified anger at consoles. Today, I want to provide a solution.
I have been asked a few times over the past few months (really, people have been asking me this since the current gen consoles launched), that if I were to build a “next gen” console, what would it be? In other words, if I were Microsoft or Sony, what would my PS4 or Xbox One be?
I’ve actually given this considerable thought, as this question is deceivingly complex. It’s one thing to just say, “Well, just add a Titan X and an i7 with 16 GB of RAM and boom! There we have Shank’s PS4 and Xbox One.”
While that does sound intoxicatingly tempting, it’s not realistic. Nor does it even make any sense, considering the fact that the Titan X wasn’t even released in 2013.
What we need to do is go back to 2012. Hang on. 2012? I thought the consoles released in 2013? Well, you’re right. But the hardware likely wasn’t finalized until late 2012 or early 2013, meaning the tech Sony and Microsoft were looking at was from 2012.
Now, for obvious reasons, we can’t do a simple 1 to 1 comparison of PS4/Xbox One hardware to their PC counterparts. It just wouldn’t make any sense. What we can do, however, is approximate hardware.
So let’s have at it. Realistically, the PS4 GPU is roughly equivalent to a GTX 660. The Xbox One GPU is roughly a GTX 650 Ti. The CPUs in each are 8-core low power mobile CPUs. Honestly, they’re pathetic.
On the memory side, Sony wisely adopted 8 GB GDDR5 RAM – the same type of memory in discrete PC graphics cards. Microsoft, meanwhile, idiotically chose a more exotic architecture featuring 32 MB eSRAM coupled with 8 GB DDR3.
As a brief aside, eSRAM is “static” RAM, meaning the memory pool does not need to be periodically refreshed. DDR3 RAM is the same RAM commonly used as PC system RAM. Rather than delve into incredibly technical discussions, just know that Microsoft’s approach to memory was asinine. They should have just copied Sony here.
Ok, so we have the hardware specs laid out. What immediately jumps out is just how underpowered these consoles were in 2013, nevermind today. They were comparable to low to mid range PCs in 2013. Today, they’re pitifully worse.
The GTX 660 and 650 Ti were mid-range GPUs in 2012. They weren’t powerhouses. They weren’t paltry either, but by no means would they provide you with top tier graphics. Just earlier that year, Epic showed off their Elemental demo of Unreal Engine 4 running on a single GTX 680, the top single-GPU card of the day. It was spectacular.
Though, it was something that these consoles would simply be incapable of handling because of their gross lack of horsepower.
Let’s also look at the landscape. 1080p was long since the standard for HD. PCs had been able to do this for eons. Additionally, 4k TVs, while new, certainly existed. In essence, HD had long been established as the standard. Gaming beyond HD was a reality and the PC gaming industry was quickly moving past 1080p.
Let’s now look at the 360 and PS3. When they released, HDTVs were present, but certainly not the norm. Gaming in 1080p on PC was definitely possible. But in the “mainstream” (that is, the living room), HD gaming wasn’t really a thing. But the 360 and PS3 ushered in the era of HD console gaming, forcing adoption of newer living room technology, and pushing the industry as a whole to adopt HD as a standard.
What a goddamn shame that the PS4 and Xbox One fail to meet the standards that their predecessors helped create.
With that in mind, what kind of hardware would I want in my PS4 and Xbox One? How about something that not only easily allowed for 1080p60 gaming, but also allowed for greater headroom for higher resolution TVs?
Now, keep in mind, the GTX 780 Ti released the same month as these consoles. That graphics card alone is more than twice as powerful as either console. And that’s a card I could play Call Of Duty: Advanced Warfare in 4k at 90fps. And these consoles struggled – struggled – to maintain a locked 60fps! Pathetic.
So for my GPU of choice, I would have included something akin to the power of a GTX 690, basically 2 GTX 680s. Would this be expensive? Yes. But these are consoles. The console business is in this for the long haul. Therefore, I would be perfectly fine with accepting a loss on hardware for the first couple of years while I raked in revenue from software and services. Then, in Year 3 and 4 would I expect to see profits on hardware as manufacturing costs reduced and supply chain was optimized.
On the CPU side, I would have included a quad-core clocked at 3.0 GHz. This is a pretty standard clock speed for gaming CPUs and again, this allows for a lot of headroom as technology evolves in the living room.
What about memory? Well, why fix something when it ain’t broke? Of all the decisions Sony made, this was perhaps one of the best. 8 GB of GDDR5 RAM will do just fine for my console, thanks.
Oh and price. Forgot about that. I believe that Sony’s $400 price looked that much more enticing not just because it was cheaper than Microsoft’s $500 console, but because it was the more powerful console which was a whole $100 less than its competition. More powerful hardware plus cheaper price equals better value.
However, I also believe that had Microsoft’s console been the more powerful of the two, Microsoft would have seen larger sales of its console. I really do believe that early adopters (read: the consumers who are among the most “hardcore” of your user base who absolutely value graphics and horsepower) would have shelled out $100 more for the more powerful device.
Therefore, I would price my console at $500.
So in the end, what I have built is a console more capable than your average PC, thus enticing your PC gamer with a mid range rig to consider a purchasing a console, meets the standard set by the 360 and PS3, exceeds that standard, and has enough horsepower to support future display technologies to allow for higher resolution gaming, while simultaneously providing developers plenty of power to push their games to the next level.
This would have been a true “next gen” console. How much further ahead would we be today, how much prettier our game worlds, how much more immersive our stories, how much more innovative our game mechanics would be had Microsoft and Sony pioneered a true path to the future, a true next generation.
Instead, we are left with these pathetic underpowered pieces of plastic, barely capable of meeting the standards of yesterday. What a damn shame, then, that these consoles are allowed to exist.
Let’s talk about framerate. “Oh no,” you say, rolling your eyes. “Shank wants to talk about framerate…again. This guy never lets up.”
You’re quite right, viewer. I don’t let up. And to be honest, neither should you. For as long as this continues to be an issue in this industry, it should be brought up and talked to death. Quite simply, you deserve better.
But wait, isn’t the title of this Rant “the framerate non-issue? As in…a lack of an issue?”
Once again, astute observation viewer. Here, have a Schrute Buck.
Borderline condescending Office reference aside, let’s be serious here – as challenging as that may be.
As much as framerate continues to be an issue, it also continues to be a non-issue. How can this be an issue and not be an issue? Well it’s not like framerate has suddenly entered into a superposition state.
Let’s first talk about the part where framerate continues to be an issue. And of course, this means consoles.
Since even before the Xbox One and PS4 went on sale, Microsoft and Sony both hammered home “1080p 60fps” to consumers. Naturally, this instilled in consumers an expectation of 1080p and 60fps in their games. Furthermore, to many, this meant that first party titles (and exclusives) would be running at this “magical” 1080p and 60fps.
To a considerable degree, console business models rely on exclusives. Apart from hardware, exclusives are the largest differentiator between various consoles. Xbox has its Halo with its Master Chunk shooting up Covebumps, and Playstation has its Uncharted with Nathaniel Drake punching Somali pirates in the face.
Both of these titles in particular were given considerable hype and touted that they will “target” 60fps.
Now before I go further, let’s all understand that “target” does not mean “locked”. To “target” 60fps means that developers will try to get the game to hit 60fps. It’s a goal. It’s not a guarantee.
And this verbiage is fundamentally misleading to the average consumer. When you say “targeting 60fps”, to the consumer that means “oh, the game will be at 60fps” – even though “targeting” does not mean “locked”.
In my opinion, if the game is not going to be locked at 60fps – and more importantly, if the developer and publisher know it won’t be locked at 60fps – don’t even bring up 60fps! To do so automatically instills an expectation in the consumer. And it is absolutely not the consumers’ fault when they become outraged that your game does not hit the touted framerate that you were claiming to target!
Look. I get it. You want to use buzzwords and build up marketing hype. But I have always said that there’s a right way to do this and there’s a wrong way. This is the wrong way.
How does this relate to Halo 5 and Uncharted 4? Digital Foundry recently did an analysis on the E3 2015 demo of Halo 5. Now yes, it’s analysis on an unfinished product, but with only a handful of months to go before release in October, it’s reasonable to assume that not much will drastically change in the interim.
What they found was, to my complete lack of surprise, pretty damning. Not only does the game not output at 1080p (a long-standing industry standard), it also fails to hold 60fps. How pathetic.
On to Uncharted. In a June 2014 Playstation blog post, Naughty Dog Community Strategist
Eric Monacelli wrote, “We’re targeting 60fps for Uncharted 4: A Thief’s End”.
Now, as soon as I read this, I knew, I absolutely knew that there was not a snowball’s chance in hell that Uncharted 4 would run at 60fps on PS4.
And once again, to my complete lack of surprise, we saw the game running at 30fps during PSX last December (and again at E3 2015).
Shortly after PSX, Game Director Bruce Straley spoke about framerate to Edge magazine saying, “We’re actually above 30, but we locked it [for the demo]…We’re going to do whatever it takes to make the game we want to make. If it means we could go for 60 but lose something that would really impact the player’s experience, then it’s our choice as developers to say, ‘Well, we’re going to go for the experience [instead of] the 60 frames.'”
That last sentence defies logic. Bruce is actually suggesting that player experience is independent of 60fps by saying “going to go for the experience instead of the 60 frames”.
In reality, framerate is inextricably tied to player experience. 60fps is objectively better than 30fps. A game running at 60fps will provide the player a better experience than the same game running at 30fps. There is no arguing this.
So for him to spin his pathetic defense of 30fps into suggesting that somehow, the player’s experience will be better if the framerate is worse is absolutely ridiculous.
So looking at Halo 5 and Uncharted 4, we come to the conclusion that yes, framerate is an issue on consoles. Even the first party exclusives, the games that most consumers will purchase a console for, fail to meet the developers’ and publishers’ promise of 60fps. What this means is that the products that Microsoft and Sony rely on to differentiate from each other can’t even compete on a technical level.
That’s absolutely pathetic. And this should be brought up and discussed every single damn day.
I had mentioned that there would be a “non-issue” part to this rant. Well, here it is.
The way I see it, there are 2 solutions to this whole thing.
First, Microsoft and Sony should have given us proper “next gen” consoles, ones that can actually do the things they claim. Instead, what we got were 2 low end laptops that are laughably pathetic, weak, limp-wristed pieces of garbage that are doing nothing but completely stagnating innovation and ruining the industry.
Second, there is a platform where resolution and framerate are non-issues. I am of course talking about the most powerful, most numerous, and most profitable platform – the PC.
PC gamers have been enjoying 1080p60 gaming for what seems like eons. 1080p60 is the standard for PC gamers. That is to say, it is the bare minimum. It is the lowest experience that PC gamers will accept. That console manufacturers and developers see this PC bare minimum as their gold standard shows just how far behind and pathetic these consoles are.
So, if you want to game with a modern resolution and framerate, join us on PC. The footage you’re watching now is a prime example of unrelenting PC power’s apathy to the desperate attempts of limp-wristed consoles.
So you see, framerate is a non-issue. You deserve better. And you can only get what you deserve on PC.
This is another topic i’ve wished to talk about for some time now, so let’s tackle this head on. Sure, some action games can take their cues from film for creating set pieces (look at Call of Duty or Uncharted) – but games are fundamentally NOT films. They are inherently interactive and this makes them innately personal. You’re not some agent viewing someone else’s creation – you are shaping your own creation. This leads to what i call “the ‘cinematic’ problem”.
The word “cinematic” is constantly used by the “AAA” industry to falsely justify a subpar 30fps framerate, or a stupid letterbox aspect ratio – as if a deliberately worse experience somehow makes the game better.
I’d like to think consumers (and journalists) are now finally wising up to this farce spewed by the so-called “AAA” industry and seeing it for what it is – an excuse to falsely justify an inferior gaming experience created by very real hardware constraints.
When I play a game, I don’t want a “cinematic” experience – I want a “video game” experience. Why? Because I’m playing a game!
Now, you don’t need a subpar framerate in order for a game to be “cinematic”. And you can have cutscenes in a game which take their inspiration from film.
First, let’s look at Ryse.
There’s a very filmic aesthetic to the whole game thanks to the unrelenting power of cryengine. This filmic aesthetic is achieved by use of film grain, epic wide shots, 3d lens flares, and a slew of other fantastic post processing techniques.
In addition to those, the game features in-game cutscenes which are framed purposefully, crafted solely to convey a mood and draw the player in.
Cutscenes and aesthetics aside, the gameplay itself is quite filmic in its presentation. The game mechanics feature extremely stylistic slow-mo moments during executions, and the absolutely fantastic DoF really helps sell this stylistic choice.
What about framerate? as we discussed earlier, the so-called ‘AAA” industry uses a subpar 30fps framerate to falsely justify this “cinematic” feel. However, playing Ryse on PC at 60fps still makes me feel like i’m spartacus kicking ass.
If anything, this higher framerate actually enhances the filmic feel to the game simply because it’s more responsive and i feel like i’m actually there. Higher framerate enhancing gameplay? what a concept!
Now lets look at a very different example and talk about GTA 5
Every mission, every job, every heist feels like i’m directing a Scorsese film The music kicks in at the exact right time, and the track playing is the absolute perfect track for that scenario.
The pacing of each mission is a slow build, heightening that sense of imminent chaos that film portrays so well. And upon completion of said mission, you feel a real sense of accomplishment and joy – something film simply cannot provide.
And perhaps the best thing about gta is that it manages to retain this filmic, epic cinematic presentation on even the most minor of ad hoc adventures with friends. The genius of that execution simply cannot be overstated.
So here we have it – two examples featuring two completely different games with both games clearly taking inspiration from film.
However, despite the filmic influences pervasive in both of these games, Ryse and GTA 5 remain what they are both meant to be: a game.
They are both highly immersive experiences that still engage with the player, providing him the tools necessary to feel like a huge badass.
In other words, the filmic elements in these two games do not get in the way of actual game elements. The filmic elements exist only to enhance the game elements, not replace it.
And this is what is so crucial about this whole “cinematic issue”. Too often, the so-called “AAA” industry is so hell bent on spinning its marketing, spinning its PR, and is forced to work within constraints of weak consoles that they fundamentally forget what they’re trying to create in the first place: a game.
So let me repeat what i said in the beginning. Games are not film. and they’re all the better for it.
Back in June 2011, the United States Supreme Court officially confirmed what all of us who play and enjoy games had already known for years: video games are art.
Now I’m not here to give you a history lesson, rather, I do believe it important and relevant to begin this piece with that bit of fact, if only to bring some pretense of import to this weekly drivel.
Admittedly, I have wanted to talk about this upcoming topic for some time now, I just have never gotten around to it. And so, with no other restrictions placed on me, and now that I’ve taken a brief hiatus from slaughtering Drowners in Velen, let me discuss with you all a subject I’ve longed to address.
Art style and graphics are two different things. The majority opinion out there is that art style matters more than graphics – whatever that means. To a larger point, gameplay actually matters over graphics – despite console fanboys comparing resolution and framerates to death – but that is an entirely different discussion for perhaps another Rant.
I am here to talk about this “art style vs graphics” discussion because I believe this is a rather interesting conversation to have. As we know, and as I stated at the top of this piece, video games are art. I believe video games to be the ultimate form of art and consequently, the ultimate form of expression. It is the only art form where you simultaneously create and consume content. You can’t do this in literature, and sure as hell can’t do this in film.
Video games are the most personal of art forms, and in my opinion, the most impactful as well.
Forgive that brief meander, but I believe it was necessary. Art style and graphics, while contributing to and eventually creating the video game art, are two different aspects of games.
I have often been asked which one I prefer. Those of you who know me well enough already know the answer. But allow me to pretentiously put forth an argument before delivering my verdict.
To me, art style is the most literal interpretation of those two words. It is the form of art chosen by the designers to define the visual style. If that seems ambiguous, perhaps this can help. Dishonored has a very distinct art style. The whole game looks like a beautiful oil painting. Its style is very different from Ryse, for example.
I have chosen these two games deliberately. Dishonored has a beautiful art style, designed to look like an oil painting. However, it does not have advanced graphics. And yes, there is a difference. To me, graphics are a way to convincingly portray your art style – albeit with a few more technical bells and whistles to help achieve this.
And again, this is why I’ve chosen to discuss Dishonored and Ryse. Dishonored has a beautiful, unique and highly stylized art style, but unrealistic graphics. I would go so far as to say the graphics are lackluster.
On the other hand, Ryse has incredibly advanced graphics, but no clear distinct art style. However, the argument can be made that the art style used in Ryse is “photorealism” because we know that “photorealism” is an actual art style. Still, as far as uniqueness goes, Ryse has no unique art style.
So here we have two games that are quite different in their visual aesthetic. One has a unique art style but lackluster graphics. The other has advanced graphics but no real unique art style. However, there exists a third option, a middle ground if you will.
What if you can have a distinct art style and advanced graphics? Fortunately, there exists a game which does exactly that. In fact, you’ve been staring at it for the past few minutes. Of course, I’m talking about The Witcher 3.
CD Projekt Red have managed to merge a distinct, almost surreal art style with highly advanced, photorealistic graphics. And they’ve pulled it off beautifully. This is without a doubt the most beautiful, most technically advanced RPG I’ve ever played, and arguably the most beautiful, technically advanced RPG on the market today.
So no, this isn’t a zero sum game. You absolutely do NOT have to choose to develop your game with a distinct art style or with photorealistic graphics. You actually can have your cake and eat it too.
Now, which one do I prefer? It should come as no surprise that, while I absolutely love Dishonored and Ryse, I prefer advanced graphics to distinct art style any day. I am always chasing the cutting edge, and advancements in graphics are the easiest and most obvious means by which to measure genuine, tangible progress in our industry.
Why? A story as beautiful as The Last Of Us could have been written for games in the 90s. Distinct, though limited, art style for games could have existed 20 years ago. However, the immersion and outright beauty of photorealistic graphics simply were NOT possible back then. In other words, you don’t need technology to enable a good story, but you do need technology to enable total visual immersion.
And it is precisely for that reason why I will always prefer photorealistic graphics to distinct art style. Whether you know this or not, graphics are the first thing you’ll notice when playing a game for the first time. It’s the first thing that helps you become immersed in that game. And only through advances in technology will this immersion become more and more real.
And ultimately, this elevates our art form into something beyond anything we’ve seen. Into something more. Into something that truly transcends human understanding. Into something inescapably beautiful.
Here are some facts for you: As of this writing, there are over 125 million Steam users. 125 million. Let that number sink in for a moment. That’s more than the sales of Xbox One and PS4 combined, doubled, and then some. Keep in mind, these are numbers for a single platform on the PC. It does not take into account other platforms like GOG, Origin, etc. Yes, some overlap will exist, but the fact remains that this incredibly impressive number is for users of a single platform on PC.
Want another fact? Ok, how about this? As of April 2014, PC gaming surpassed consoles in revenue. That was more than one year ago because clearly, the PC market has continued to grow at a truly incredible rate.
In looking at these two numbers, it follows logic to assume that as a publisher, you’d want to publish games on the PC, gain loyalty, and accelerate through that. After all, if you’re worried about user base, well, you have more users than both current consoles combined, doubled, and then some. If you’re worried about revenue, the PC generates more revenue than consoles.
Here’s another fact. The PC platform is objectively more powerful than consoles. This last one should be obvious, but somehow, console peasant fanboys and publishers seem to not only forget this fact, but actively deny it. The gap between consoles and PC is just laughably huge, and only getting wider.
However, despite these inarguable facts, the so-called “triple-A” industry seems hell bent on completely neglecting and actively working against the PC and PC gamers. This happens disproportionately to the PC platform. This is constant. The most recent example of this is Rocksteady’s Batman Arkham Knight.
One look at the Steam page tells you users reporting stuttering, framerate drops, memory leaks, and a 30fps framerate lock – regardless of the hardware they are running. That last one really gets me. A 30fps lock? On PC? You’re kidding me, right?
These triple-A publishers seem to think that PC gamers are like console gamers. I’ve got news for you. We’re not. We have better hardware. By every metric, our platform is simply superior to consoles. Introducing things like a 30fps lock is downright insulting. How dare you presume to think we’re just like console gamers, to blindly accept a downright peasantry 30fps framerate?
This is more than just simply “unacceptable”. This is wrong. And on top of all this, Rocksteady dares have the gall to state, “This is something that Rocksteady takes very seriously”. If this is something you’re taking seriously, why did you release the game and sell it in this state for actual money??
This type of behavior from triple-A publishers towards the PC is nothing new. In fact, we can point to another Warner Brothers game in Mortal Kombat X. Despite all the metrics, despite all the cold hard facts, these publishers actively work against the PC and expect to get away with it. They treat us like second class citizens, constantly treating us inferior to console gamers.
And this is just wrong.
Some may suggest (and indeed have done so on my friend’s facebook page) that this is somehow the consumer’s fault for buying the game on PC, as if a PC gamer dare enjoy cross platform games like a console gamer.
Since when is it the consumer’s duty to ensure they product he buys is complete, whole, and functioning? This is a basic consumer right! Consumers should never be held responsible for broken products, nor should they be expected to fix broken products.
Yet somehow, the triple-A industry actively sabotages the PC, constantly working against the most powerful, most numerous, most profitable platform.
It’s a relentless attack against the PC, filled with empty promises ensuring us proper treatment. But in the end, these publishers treat us worse than console gamers, giving us console-grade features (hello 30fps lock) and completely unoptimized, unfinished games.
Now yes, as long as consumers continue to buy these games, publishers will release them. But I always find that this argument misses the bigger issue.
The bigger issue is that games released on PC should be complete, functioning, and maximize the strength of the PC. Why? Because that’s how console games are developed! At the very least, PC games should be as polished as console games with additional features designed to take advantage of the objective superiority of the PC.
I’m so sick of PC gamers constantly treated like shit. There has to be a consequence for these publishers who think peddling their completely broken products to PC gamers is somehow OK. It’s not OK. It’s not right. It’s toxic to the industry. This is the triple-A industry saying “fuck you PC gamers”.
I have something to say to you, the so-called triple-A industry.
Do you honestly think we won’t notice? Do you honestly think that we PC gamers will sit here and quietly accept console-level standards on our more powerful, objectively superior hardware? We have invested our hard earned money to receive superior experiences. And you – you toxic, putrid, cesspool of filth laden triple-A industry – you want to peddle this console shit onto us?? No.
So I’ll be crashing this year as a member of the Inquisitr news team. As of now I have many interviews set up, some of which I cannot announce the game (obviously).
However, I can mention which companies I’ll be speaking to, so if you have any questions about a possible game in their library, shoot us your question in an email to firstname.lastname@example.org with the subject heading “E3 Interview Questions.”
Make sure to include your name and a Twitter/Facebook handle if you’d like a shoutout with the question, and obviously the question and company it’s for.
BloodY A4Tech (Peripheral maker)
Warner Bros Interactive Entertainment
Stoic Studios (Makers of The Banner Saga)
PC Gaming Show (Interview opportunities at the show)
On one hand, I REALLY want to play The Witcher 3 non-stop. On the other I REALLY want to see this epic Civilization V game reach its conclusion. You see, and I detail it in my weekly game-play on Episode 28 – Vinny Z, this Civ V game was started before The Witcher 3 released. I must see it to its conclusion. But to do so takes precious hours away from what is by all accounts the current Game of the Year front-runner.
My Witcher 3 story is moving Geralt all over Velen. I’ve seen the crowded streets of Novigrad, watched bodies sway in the wind as they hang along the roads leading to the Inn at the Crossroads. I’ve met the witch Keira Metz and traveled through another mage’s hideout. I’ve hunted Foglets, Griffins, Werewolves, Tree Spirits — I’ve even helped a sword maker-turned-dumpling-chef named Hattori (Hanzo). And there is still SOOO much to do.
Yet something keeps drawing me back to Civ V.
I’m on turn 402. I’ve entered the Atomic Era. My closest CPU rival is Austria in the Modern Era. We’re at war. Not because I want to be, but because a civilization I have a defense pact with (Egypt, still in the Renaissance Era…ffs, Egypt) was attacked. So I’m now plunged into defending my land from Austria when I really just wanted to win via economy and culture. I had to wipe Spain out not even 20 turns earlier because they also were attacking another ally – who in this entire game has not settled a second city – Venice. For some reason I couldn’t make peace with Spain after taking over Cordoba and when I could Isabella was determined to see either myself or her wiped from the earth.
So she’s no longer around.
I want to go back to The Witcher. I want to ride Roach into a town and slap some Gwent cards down. At the same time, I really want to finish this war with Austria because I have a feeling Poland is trying to move down the west coast of North America into my lands (he currently owns land in what is Alaska and parts of Russia). He already doesn’t like me because I’m a heathen. I gave up on trying to win a religious victory when the Iroquois seemed determined to convert all my cities to Buddhism. But The Witcher…I really want to find out why a vampire is feeding on drunkards who only drink cheap wine in Oxenfurt.